Tag Archives: reading

The Muffia is Like Mondalez

We might agree on wine
We might agree on wine

When I began writing stories about The Muffia,  my contemporary women’s book club,  agents, publicists and prospective publishers I’d meet on my quest for riches advised me, “You need to create a brand.”

I nodded and listened but basically I thought, branding, schmanding.

Yeah, yeah, I know most people say that in our overcrowded book market–any market really– that if you don’t have a brand, you’re doomed; or, at best, you and your “product” will be lost amidst all the other things people spend money on. The marketers tell you, that no matter what you’re making, you have to find a way to distinguish your language app, lampshade or refined, non-GMO, organic, locally sourced peanut butter—from your competitors. That’s hard. Especially if your books or handmade candles have a lot of variety.  But I don’t know if it’s universally true. Or is it only giant corporate behemoths like Mondalez that get to produce everything from Oreos to Dentyne and get away with it. (Of course the corporate heads at Mondalez will tell you they do have a brand and that brand is snack! ) It doesn’t seem to hurt them that the snacks on their roster go from sweet to savory, from mushy to crunchy and things you’re not supposed to swallow.

Well my response is The Muffia is more like Mondalez than it is Oreos, which seems to be losing brand status anyway, by insisting on offering two hundred different kinds of “stuff”, none of which is as good as the original.

Well, the women of The Muffia book club  are the diverse snacking options at Mondalez. We are sweet, salty, loud, vulnerable, bold, terrified, some swallow and some don’t. Most drink wine–a lot of it. Some are sort of snarky and others generous and kind. I’m proud that we are different. None of us wants to be a brand so how can the books based on us be a brand? We also like to believe we are open-minded and can listen to those with different points of view. This author tends to think that even if she wantedto be a brand, it’s out of her control what other people say about her  “product.” If other people want to put her books into categories such as, “contemporary women’s fiction” or “sexy beach reads” or “books about book clubs,” there’s nothing she can do about it.

Books, like the people who write them, are often multi-faceted and The Muffia series is nothing all that. With each book narrated by a different member of the book club, the voices are necessarily going to be different. Similar sure, but the muffs do not agree on everything. Their education, backgrounds, life experiences are different. But they are friends who share a love of books, which is the main thing that brought them together. None of these women, is always one thing. Each is beautiful sometimes. Each is a capable member of society until she isn’t. Each succeeds and fails.

Humans want to put other humans in boxes and the media likes to flog that idea with its insistence on soundbites and loglines and reducing almost everything to a five word description. This is my resistance to being branded and put into a box. I think the world would be better off if we saw each other as more nuanced, not so starkly one thing or another. Not in just one box. Or any box. And I think it’s possible.

Book Club Survival Tips

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The Muffia survives as a book club after fifteen years for the following reasons ( in order of importance):

1. The Muffs take turns picking the books we read.

2. If a Muff hostess suggests “Remembrance of Things Passed,”  other Muffs aren’t allowed to get annoyed if they don’t want to read it.  The corollary to this is no Muff hostess gets annoyed if other Muffs don’t read her book choice.

3. No Muff gets too upset if members can’t come at the last minute. However, a  little upset is mandatory to show caring and empathy.

4. The Muff hostess always has a tasty cocktail offering for those Muffs who make it to book club.  (Note: This could be more important than #1)

5. A Muffia book club gathering always consists of equal parts “talking about the book” and “roundy-round” where important non-book talk occurs.